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[套盒] On DSCH (3 Discs)

Igor Levit

发行：-
地区：欧美
类型：纯音乐
乐器：键盘乐器
公司：Sony Classical
流派：古典
格式：FLAC
码率：96kHz/24bitHR
规格：69首
价格：￥238.00元

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#	曲目	时长/大小
1	Prelude No. 1 in C Major	00:02:37 37M
2	Fugue No. 1 in C Major	00:02:32 37M
3	Prelude No. 2 in A Minor	00:00:53 13M
4	Fugue No. 2 in A Minor	00:01:26 22M
5	Prelude No. 3 in G Major	00:01:49 29M
6	Fugue No. 3 in G Major	00:01:51 29M
7	Prelude No. 4 in E Minor	00:02:57 42M
8	Fugue No. 4 in E Minor	00:04:45 72M
9	Prelude No. 5 in D Major	00:01:28 21M
10	Fugue No. 5 in D Major	00:01:48 27M
11	Prelude No. 6 in B Minor	00:01:54 30M
12	Fugue No. 6 in B Minor	00:04:57 72M
13	Prelude No. 7 in A Major	00:01:13 17M
14	Fugue No. 7 in A Major	00:02:11 33M
15	Prelude No. 8 in F-Sharp Minor	00:01:12 17M
16	Fugue No. 8 in F-Sharp Minor	00:07:11 105M
17	Prelude No. 9 in E Major	00:02:06 30M
18	Fugue No. 9 in E Major	00:01:36 24M
19	Prelude No. 10 in C-Sharp Minor	00:02:10 32M
20	Fugue No. 10 in C-Sharp Minor	00:05:27 81M
21	Prelude No. 11 in B Major	00:01:05 16M
22	Fugue No. 11 in B Major	00:02:00 31M
23	Prelude No. 12 in G-Sharp Minor	00:04:31 66M
24	Fugue No. 12 in G-Sharp Minor	00:03:45 58M
25	Prelude No. 13 in F-Sharp Major	00:02:27 34M
26	Fugue No. 13 in F-Sharp Major	00:04:45 69M
27	Prelude No. 14 in E-Flat Minor	00:04:08 60M
28	Fugue No. 14 in E-Flat Minor	00:02:44 40M
29	Prelude No. 15 in D-Flat Major	00:02:34 40M
30	Fugue No. 15 in D-Flat Major	00:01:33 25M
31	Prelude No. 16 in B-Flat Minor	00:02:38 38M
32	Fugue No. 16 in B-Flat Minor	00:07:29 106M
33	Prelude No. 17 in A-Flat Major	00:01:39 24M
34	Fugue No. 17 in A-Flat Major	00:03:40 55M
35	Prelude No. 18 in F Minor	00:02:09 31M
36	Fugue No. 18 in F Minor	00:03:03 45M
37	Prelude No. 19 in E-Flat Major	00:02:15 33M
38	Fugue No. 19 in E-Flat Major	00:02:26 37M
39	Prelude No. 20 in C Minor	00:04:03 57M
40	Fugue No. 20 in C Minor	00:05:12 75M
41	Prelude No. 21 in B-Flat Major	00:01:16 19M
42	Fugue No. 21 in B-Flat Major	00:02:42 42M
43	Prelude No. 22 in G Minor	00:02:00 29M
44	Fugue No. 22 in G Minor	00:03:12 47M
45	Prelude No. 23 in F Major	00:02:24 34M
46	Fugue No. 23 in F Major	00:04:02 60M
47	Prelude No. 24 in D Minor	00:04:11 61M
48	Fugue No. 24 in D Minor	00:09:23 142M
49	Pars Prima: Sonata allegro	00:06:37 99M
50	Pars Prima: Waltz in rondo-form	00:02:19 32M
51	Pars Prima: Episode	00:01:09 16M
52	Pars Prima: Suite. Prelude – Sarabande – Jig – Sarabande. Minuet – Jig – Gavotte – Polonaise	00:12:19 177M
53	Pars Prima: Pibroch (Lament for the Children)	00:02:48 37M
54	Pars Prima: Episode. Arabesque Variations	00:00:41 9M
55	Pars Prima: Nocturne	00:01:59 28M
56	Pars Altera: Reverie-Fantasy	00:05:30 78M
57	Pars Altera: Fanfare – Forebodings. Alarm – Glimpse of a War-Vision	00:02:12 32M
58	Pars Altera: Variations on “Peace, Bread & the Land” (1917)	00:02:08 33M
59	Pars Altera: Symphonic March	00:01:55 29M
60	Pars Altera: Episode	00:00:55 13M
61	Pars Altera: Fandango	00:02:08 30M
62	Pars Altera: Pedal-Point. “To emergent Africa”	00:02:03 31M
63	Pars Altera: Central Episode. Études	00:03:42 59M
64	Pars Altera: Variations in C Minor	00:03:41 54M
65	Pars Tertia: Adagio. Tribute to Bach	00:01:57 28M
66	Pars Tertia: Triple Fugue over Ground Bass: Subject I. Andamento	00:05:18 79M
67	Pars Tertia: Triple Fugue over Ground Bass: Subject II. B A C H	00:07:02 104M
68	Pars Tertia: Triple Fugue over Ground Bass: Subject III. Dies Irae (In memoriam the six million)	00:06:33 99M
69	Pars Tertia: Final Variations on a Theme Derived from Ground. Adagissimo barocco	00:12:13 171M

简介

《On DSCH》是一次伊戈尔·莱维特（Igor Levit）以前从未尝试过的唱片之旅。这位自称是“完美主义者”的音乐家喜欢把自己推到智力和体力上的极限。

关于专辑的名称，DSCH这几个字母用其德语音符名称拼出了肖斯塔科维奇的音乐特点，这是一个神奇的音乐代码：DSCH - 肖斯塔科维奇的个人音乐座右铭，巧妙地从他的名字Dmitri SCHostakovich的德语名而来的。在德国的音乐符号中，S [sounding'es']是E flat，H是B natural，导致令人难以置信的四音符序列：D-E flat-C-B。
专辑内收录的肖斯塔科维奇的《2... 4首前奏曲和赋格》完成于1951年，可以被看作是对所有大调和小调总结的作品，总共持续了约两个半小时，而另一部由苏格兰作曲家罗纳德·史蒂文森完成于1963年的《DSCH帕萨卡利亚》，是一套不间断的变奏曲，也持续了近一个半小时。莱维特对这两套作品进行了多年的研究，并分别从2017年和2018年开始在音乐会上频繁演出。每一次演出都被誉为是一项卓越的成就。
莱维特本人将肖斯塔科维奇这24首前奏曲和赋格曲描述为“一种音乐日记”。他说：“（作品）有一种完全独特的东西”，“作品中关于这种温暖、直接和纯粹的孤独的结合。对我来说，这是一种自我探索和自我发现的仪式，涉及到最亲密的问题”。
作曲家罗纳德·史蒂文森是一个具有乌托邦式人生观的孤独者，他从钢琴的起点出发，开始环游世界。DSCH主题为他提供了一个基础，在三百多个变奏中，对各种钢琴和风格的可能性进行了壮观的调查。莱维特认为，帕萨卡利亚就是一部名副其实的生活汇编，一种告诉我们对整个世界责任的音乐。